Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. / Jimmy Brown The Newsboy, My Old Man's a Dustman / The Golden Vanity, I'll Never Fall in Love Again / Keep on the Sunny Side, Pick a Bale of Cotton / Steal Away [with The Kestrels], 20th Anniversary Collection: The Greatest Novelty Records of All-Time. It was exceptionally popular among England's teenagers, who accounted for most of its sales. The record was a hit, racking up sales in the hundreds of thousands. Donegan was a big fan of Johnson, and took his first name as a tribute to him. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. How Long How Long Blues by Bruce Eder. Pete Korrison - Mandolin 1955 Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Nobody's Child More concert tours followed, along with a move from Florida to Spain. 1956 "Jazz Club"(? & Feb. 24, 1957) Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Dixie Darling 4. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. For the next six years, Lonnie spent 335 weeks on the Official Singles chart. Leinemann's Potatoes 8. Subscription from $10.83/month Streaming plans It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. Donegan was suddenly a star, with a public that wanted more music from him. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 d.write('ajout / retir de vos favoris. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. WebExplore releases from Lonnie Donegan at Discogs. Golden Hour [UK] GH 514 Lonnie Donegan's' Golden Hour Of Golden Hits: Rock Island Line; Jack ODiamonds; Tom Dooley; Puttin On The Style; Im Alabammy Bound; This led to the peculiar situation that any "cover" version of "Rock Island Line" which was released on record in Britain from 1956 showed the song composition credited to Lonnie Donegan.) Wreck of the Old "97" The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Mickey Ashman - Bass 1956 Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. WebLonnie Donegan Albums: songs, discography, biography, and listening guide - Rate Your Music Lonnie Donegan Born 29 April 1931, Glasgow, Glasgow City, United Kingdom Died NOTE: He also wrote the song and first released it in 1959, to no success. © Bruce Eder /TiVo, 227 album(s) WebLonnie Donegan Showcase More images Tracklist Wabash Cannonball How Long, How Long Blues Nobody's Child I Shall Not Be Moved I'm Alabammy Bound I'm A Ramblin' Man New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. He returned to the chart 38 years after his last appearance, guesting with Van Morrison on his I Wanna Go Home single in 2000. Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Subscription from 12,50/month Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. . [+] Eight CDs, and nearly 10 hours of music may seem like overkill to most onlookers, but this is a boxed set that truly justifies itself, once you've listened to it. Best British musicians before the Beatles? He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." The name "skiffle" was hung on this music as a way of referring to it on the group's posters. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. WebScottish-born singer and guitarist who was the greatest star of skiffle, the souped-up folk style that predated British rock & roll. I'm Alabamy Bound Dear Wikiwand AI, let's keep it short by simply answering these key questions. (function(){var k='0521688706',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; He turned to a music hall style with "My Old Man's a Dustman" which was not well received by skiffle fans, or in an attempted but ultimately unsuccessful American release by Atlantic in 1960, but it reached number one in the UK Singles Chart. BINGO! The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." You can search for tracks and LP's by title. '.webs.com' : 'none'; --> The name "skiffle" was hung on this music as a way of referring to it on the group's posters. The UK King of Skiffle, Lonnie Donegan was born Anthony James Donegan MBE (April 29 1931 November 3 2002) in Bridgeton, Glasgow, before joing Chris Barbers Big Jazz Band. Les Bennetts - Guitars, Vocals, Bass 1958 Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. 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Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Casey's Last Ride 2. Cet lment a bien t ajout / retir de vos favoris. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Chances are that UA in America was lured into distributing this album by Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. WebLonnie Donegan. His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. Cumberland Gap To find all LP'S with that song, just keep hitting next. The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Summarize this article for a 10 years old. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Nov 20/21, 1998 Whitla Hall, Belfast (The Skiffle Sessions with Van Morrison, Chris Barber, et al), I Know Where I'm Going unissued LD9 C C Rider (Going Down The Road) " LD9, She Was Big, She Was Blonde, She Was Beautiful " LD9. The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. More concert tours followed, along with a move from Florida to Spain. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Lazy John. It was exceptionally popular among England's teenagers, who accounted for most of its sales. 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