Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. Russias war in Ukraine is particularly cruel in attacking civilian targets, and its also marked by a strong cultural elementone that is being met with resistance from not only Ukrainians, but also the international community and the Smithsonian Institution. But the ambassador was unambiguous in her confidence that the Russians would not succeed. (2004) Barnard College, Columbia University; M.A. Curator. National Museum of African American History and Culture (1979) Emory University; Ph.D. (1991) George Washington University. Like Poshyvailo and his HERI teams, conservators across Ukraine have taken stock of the situation, salvaging collections and materials as best they can. (1978) Arizona State University. (1988) Brown University; M.A. It also maintains the Ralph Rinzler Folklife Archives and Collections. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. For more on the Smithsonian Cultural Rescue Initiative and its efforts in Ukraine, listen to the Smithsonians Sidedoor podcast and view the latest reports on cultural heritage damage in Ukraine. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. Polish organizations lent tremendous logistical help. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. Mexican Stitchery Demonstration at Festival of American Folklife, 1978. Box 37012, MRC 520 Washington, D.C. 20013-7012. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. While providing immediate protection, this presented another major problem. Its forms are, among others, language, literature, music, dance, games, mythology, rituals, customs, handicrafts, architecture and other arts. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. Support the Folklife Festival, Smithsonian Folkways Recordings, Cultural Vitality Program, educational outreach, and more. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. Explore full information about cafes in General Alvear, Buenos Aires Province and nearby. Rinzler had previously worked at the Newport Folk Festival, and brought with him both the know-how and connections needed to pull together a new DC folk festival. At the 1985 Festival of American Folklife, the Hayride String Band performs. Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. How can we ensure that ancient manuscripts best survive freezing temperatures, given the lack of heat in winter? Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. Visit the IIIF page to learn more. B.A. Contact:CadavalO@si.edu, Leopold, Robert, Research Associate. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. nmaahc.si.edu. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. The Centers Cultural Sustainability program works with communities around the world to preserve and practice their living cultural heritage, seeking ways to make linguistic and artisanal traditions, as well as those associated with historical, built, and natural environments flourish for the civic, social and/or economic benefit of practitioners. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. The minister asked the Smithsonian if we could determine its status from satellite imagery. Now that the festival organization and model were well established, Rinzler began to explore other varieties of folklife productions appropriate for a national museum. They have tackled challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings quickly? Research Associate. (1972) State University of New York, Buffalo; M.A. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. (1974), Ph.D. (1981) University of Chicago. Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. Advertising Notice (1979) Emory University; Ph.D. (1991) George Washington University. (1967) Harvard University; M.A. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. (1989), M.A. (1989), M.A. Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraines Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022. This is the moment when the CFCH took notice. (1972); Ph.D. (1989) George WashingtonUniversity. Contact Robert N. directly . (2007), Ph.D. (2015) New York University. University of California, Los Angeles. Cloud cover over the region for days prevented good imagery. The museum, located about 40 miles northwest of Kyiv, was home to the nationally and internationally acclaimed folk art of Maria Prymachenko. Curator. Alberta at the Smithsonian Carriers of Culture: Living Native Basket Traditions Nuestra Msica: Latino Chicago Special Events (2006) 2005 Food Culture USA Forest Service, Culture, and Community Nuestra Msica: Music in Latino Culture (2005) Oman: Desert, Oasis, and Sea Special Events (2005) Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. Research Associate. The process is detailed, time-consuming and sometimes frustrating. The center is a research and educational unit of the Smithsonian that produces the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, exhibitions, symposia, publications and educational materials. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. In 2020, at a Washington, D.C. symposium organized by the Smithsonian Cultural Rescue Initiative (SCRI), Ihor Poshyvailo, the director of the Maidan Museum in Kyiv, warned American and international colleagues that culture was becoming an object of war, as Russification policies in the regions captured in 2014 were aimed at diminishing a Ukrainian presence. Through Festival field and documentary research, curation, live programs, and digital storytelling, the Festival communicates an unwavering commitment to representing diverse cultures as a positive force for cultural equity, inclusivity, and the common good. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. To support Putins wrongful argument that Ukraine doesnt have a culture and history independent of Russia, his forces figure they can simply bomb away the countrys cultural heritage. Senior Folklorist Emeritus. (1978) Kenyon College; M.L.S. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. (2012) Leiden. In 2015, UNESCO inscribed the Moses and Frances Asch Collection into its Memory of the World International Register. Painters Rolando Mayen and Paula Kaufman in the Office of Exhibits Central's Graphics Department created these authentic commercial signs for the music tent in the Borderlands' program at the 1993 Festival of American Folklife. Research specialties: Public sector folklore and ethnomusicology,traditional musicand museums, popular folk musics of Latin America, mariachi music in Mexico and the U.S. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. The Smithsonian Latino Center (SLC) is now a part of the National Museum of the American Latino. Ambassador at Large, Smithsonian Institution. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. Putin, though, claims that Ukrainians lack the history, culture and identity worthy of a national state separate from Russia. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. One of the early cultural casualties of the Russian invasion was the Ivankiv Historical and Local History Museum. Contact:MotleyS@si.edu, NDiaye, Diana Baird, Cultural Specialist and Curator. (1996) University of Kansas; Ph.D. (2001) University of Kansas. In presenting the Smithsonians contribution to that effort, we could not have been prouder. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. Music HerStory: Women and Music of Social Change Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. B.A. B.A. It began with the first Festival of American Folklife in 1967. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. Distinguished Scholar and Ambassador-at-Large. The first Festival of American Folklife, with a budget of $4,900 and showcasing 84 participants, took place over the Fourth of July weekend 1967 on the National Mall and on the plaza of the Museum of History and Technology. He founded the Smithsonian Cultural Rescue Initiative. Smithsonian Folkways Recordings is the institutions nonprofit record label, representing the collections and productions of nearly two dozen companies and organizations, documenting the diversity of the worlds musical and spoken-word heritage and creativity. (2009) University of Hawaii at Mnoa/East West Center; M.A. View of the Smithsonian Folklife Festival on the National Mall, 2004. The Rockefeller Foundation enlisted the Omidyar Group to pitch in, as did others. The ambassador noted that, with the destruction of museums, archives, libraries, cultural and religious sites, theaters, and other places of social significance, the Russian military is attempting to erase a people, to purposefully eliminate the sense and spirit of their claim to nationhood and sovereignty. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution that supports cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound recordings. The impact of the Center is felt far beyond the National Mall. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. Telephone: 202.633.6440 Fax: 202.633.6474, Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024, Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. These . (2004) Barnard College, Columbia University; M.A. An active research group was formed to explore and articulate this concept of cultural sustainability. (1991), Ph.D. (1998) University of California, Los Angeles. B.A. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. In 1998, the Festival was renamed the Smithsonian Folklife Festival to reflect its international interests, and in 1999 the office was renamed the Center for Folklife & Cultural Heritage to reflect its research and public program functions. This new platform is one of the ways in which the center is working to implement a strategic plan goal of convening conversations on topics of importance. The inventory now includes more than 28,000 sites. Your Privacy Rights Research specialties: English country dance in the U.S., Scottish traditional song and the Folk Revival, comparative British and Appalachian folksong traditions. On this Wikipedia the language links are at the top of the page across from the article title. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. Russian leader Vladimir Putin has wrongly made culture both a justification and an object of war with Ukraine. B.A. Taquile Musicians from Peru at Festival of American Folklife, 1991. Smith College; M.A. Intern at Smithsonian Center for Folklife and Cultural Heritage. Over the past decades, the Festival has brought more than 23,000 musicians, artists, performers, craftspeople, workers, cooks, and storytellers from more than 90 nations and the United States to demonstrate their skills, artistry, knowledge, and wisdom. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. It has become a national and international model of a research-based presentation of intangible cultural heritage. Originally part of the Smithsonians Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". James Deutsch is a curator and editor at the Center for Folklife and Cultural Heritage at the Smithsonian Institution. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. Smithsonian Center for Folklife and Cultural Heritage Jun 2022 - Present 9 . (1973) New York University; M.A. American regional and ethnic culturesNative American, African American, and Latino cultureare well-represented. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. (1985) Wichita State University; M.A. What unique knowledge is lost when a language has lost its last native speaker? These . The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. Cookie Policy The company generously embraced the challenge. B.A. Where possible, theyve treated artworks and artifacts, and repaired damage. Stryelnikova needed passenger vans to carry teams of up to 16 conservators daily along with equipment and supplies around the country to service stored but still endangered collections. Using that data, the labs analysts are able to see how closely the heat signatures align with cultural sites. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. B.A. Ukrainians are fighting for their freedom, and in particular their freedom to be who they culturally are. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. This paper defines the field as folklore and uses that term throughout its paper:[4]. [note 3]. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. HERI mobilized to provide emergency packing materials. (1970), Ph.D. (1974) University of Chicago. (1967) Harvard University; M.A. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. The program brings together community-driven research and documentation, product development, enterprise training, world-class design development and a suite of tools artisans can use to unlock access to both local and international markets. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. 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