Thank you, gentlemen. I think that's really a significant thing that's happening right now in real-time. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. You have to make it true. We understand its importance, so that's really significant. It would come up. Jon Batiste once at the center stage. I agree with you when I saw the program that had been given to me. Since then, musicians have been eagerly performing this real treasure trove of music. The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. John: Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of "I can.". They'll open the second half of the program with a big work by prolific American composer, Florence Price. All rights reserved. The two pieces are musical cousins and were actually intended to be so. John: I want to come back to Jeff's first question to you, which was about the significance of being here. The Gateways Music Festival Orchestra from Carnegie Hall Live. 3 by George Walkerthe first African-American Pulitzer Prize for Music Laureate and whose centennial falls in 2022. It's available to this art form too if it wants to. GATEWAYS MUSIC FESTIVAL, INC. 26 Gibbs Street, Box 58 Rochester, NY 14604. info@gatewaysmusicfestival.org (585) 274-1170. Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. It's available to this art form too if it wants to. That'll be the next work on the program. For his work with Chicago Sinfonietta leading the premiere of Joel Thompson's "breathe/burn: an elegy" for cello and orchestra, the Chicago Tribune praised "Clark . as the work's known the music of Johannes Brahms. This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on, Conductor Anthony Parnther goes on stage, to conduct the final work on this program, the Fantasia on. It's our national anthem. Listen Monday June 20 at 8 p.m. Before I'd conceived this piece, I had this poem, and it just kept resurfacing in my subconscious. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. He also told us they want to be a resource for the larger community. This is Carnegie Hall Live. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. He was known for his warm spirit and as a visionary behind the Gateways Music Festival, an event celebrating classical musicians of African descent. From August 6 through 11, 2019, 125 professional classical musicians of African descent are invited to Rochester, NY from across the . John: We are about to hear this performance of the The Variations on a Theme by Haydn, music by Johannes Brahms based on a theme that probably wasn't actually written by Haydn. That annual festival, which features classical musicians of African descent, will include a performance this coming. Instead of a minuet or scherzo with trio you got a Juba. During the Gateways Music Festival, 125 professional classical musicians of African descent come from across the United States, Canada, Europe, the Caribbean and South America to Rochester,. Female Speaker 2: Your tickets, please. Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. Sure. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Our mentor's other vision was that the Black community in particular, all communities but the Black community needs to see people of African descent up on the stage playing this music and it's about representation. 3. I just thought that it was so beautifully executed. Copyright 2022 New York Public Radio. Alex: All right. Media Contacts: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Jessica Kaufman, Eastman School of Music, 585-274-1057, jkaufman@esm.rochester.edu After a highly successful 2019 season, Gateways Music Festival in association with Eastman School of Music, announced today it will become an annual event starting in the fall of 2020. John: Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. John: For his album, We Are. . Best known popularly in the world these days is the music director for The Late Show With Stephen Colbert. I want to come back to Jeff's first question to you, which was about the significance of being here. A great big deep bow and a warm welcome to this Carnegie Hall audience. Alex: This music we call classical likes to drape itself in narratives of universality and likes to position itself as being aracial and reflecting some universal culture. A Gateways Orchestra concert in New York City's famed Carnegie Hall will highlight the 2022 Gateways Music Festival, in association with Eastman School of Music, according to plans announced today. 3 PM Stern Auditorium / Perelman Stage Read More Thursday. Michael Morgan, conductor. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. is a work for piano and orchestra called. Jeff: We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. The project sought to, " . We should mention too that I Can, this new work also is credit offered in the program to orchestrator Matt Wong. It seems like there was a real intention behind the planning of this program today. This text may not be in its final form and may be updated or revised in the future. Gateways Music Festival is grateful to the following institutions for their generous support and belief in Gateways important mission. Ruling year info 1999 President & Artistic Director Mr. Lee Koonce Main address 26 Gibbs Street Box 58 Rochester, NY 14604 USA Show more contact info EIN 16-1562873 We exist outside of space, time or this place." Jeff Spurgeon: It was 110 years ago. . Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. That's available to everyone. There was this outpouring of interest from all over the country. She's never taken medication. As long as we stick to that principle, I think that's the vision. Gateways Music Festival Orchestra. The concert also included works by the German composer Johannes Brahms (18331897); George Walker 56E (DMA) (19222018), the first composer of African descent to win a Pulitzer Prize (Lilacs for Voice and Orchestra, 1996); Florence Price (18871953), the first African American female composer to have her work performed by a major orchestra (1933 Chicago Symphony performance of Symphony No. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. A critically acclaimed series . Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of ". John: This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on Lift Every Voice and Sing. The authoritative record of New York Public Radios programming is the audio record. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. I think the possibility of spontaneity is what makes this particular live performance so deeply engaging and organic for everybody involved including the audience. When Gateways musicians walk out on stage, a new line of inquiry a new conversation is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. Paul J. Burgett Lecture SeriesBlack Idioms in the Music of Florence B. Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. We are going to hear the world premiere of I Can. The two pieces are musical cousins and were actually intended to be so. THE COOPER UNIONFrederick P. Rose Auditorium41 Cooper Square (3rd Avenue at East 7th Street) New York, NY 10003. That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. << Galilee Chamber Orchestra. The African cloth comes out and no two people look exactly the same. , the name of that piece. In addition to this, the festival includes 27 performances this week, chamber music, lectures, a screening of a film, panel discussions. . Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. The historic concert was broadcast live on WXXI in Rochester and on the New York City classical station WQXR. In NYC, five of New York Citys premier venues welcome Gateways ensembles and guest artists. is a work for piano and orchestra called I Can. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. and D.M.A. Then we'll proceed into the piece, From Carnegie Hall Live, the world premiere of. Attendees must show proof of vaccination and wear a mask indoors. The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). That was our mentor's vision. We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. Jeff: Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. They'll open the second half of the program with a big work by prolific American composer, Florence Price. It's a world premiere. That feels like the two-fold idea of Gateways too. They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and. Guest engagements include Chicago Sinfonietta, the Chamber Orchestra of New York, the Colour of Music Festival Chamber Orchestra, Richmond Symphony, and the Gateways Music Festival. A very gala-feel to this event. He's having so many moments at one time, yes. John: It turns out that Gateways isn't just an organization that serves musicians. Another first for this concert by the Gateways Music Festival Orchestra. That was my first Gateways. 3 in C Minor and Sinfonia No. Another curtain call for Conductor Anthony Parnther. I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. The Festival's mission is "to connect and support professional classical musicians of African. Mary also enjoys teaching private trumpet lessons with students from ages 10 - 94! It's wonderful to have you here. He also told us they want to be a resource for the larger community. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Jeff: How was putting that piece together because it was put together pretty much in New York, I think? Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. We know that it is, and that's what we're doing. . She climbed Mount Kilimanjaro five years ago. Favorites More Music Features The Sphinx Organization, based in Detroit, supports young Black and Latinx musicians, the Gateways Music Festival in Rochester features musicians of color from around the country, and the . Regularly performing old and new classics, the Gateways Orchestra takes special pride in showcasing the works of composers of African descent, both past and present. This is going to be quite a wonderful world premiere and a big occasion. It is his heart. It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Before everyone dressed all in black, second half, everybody has a splash of color. Event unsuitable for children. Yes. Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. [crosstalk]. Enjoy the show. You can hear that the audience, again, willing to go there and applaud each of the musicians as they stand. Carnegie Hall Presents Across the Stars: The Music of John Williams . It's an incredibly exciting week for all of us. BRUNO WALTER AUDITORIUMNEW YORK LIBRARY FORTHE PERFORMING ARTSLincoln Center111 Amsterdam AvenueNew York, NY. The Gateways Music Festival Orchestra are set to perform at Carnegie Hall on April 24th, 2022, making them the first all-Black orchestra to do so in the renowned venue's 130-year history. Thank you, gentlemen. Gateways Music Festival Overview 530 views 10 months ago The Gateways Music Festival 2022 will take place from April 18-24, culminating in the Gateways Orchestra's Carnegie Hall debut,. Anthony has conducted artists spanning every musical genre including Joshua Bell, Jessye Norman, Yundi Li, Lynn Harrell, Frederica von Stade, Roderick Williams, Canadian Brass, Jennifer Holliday, Kanye West, Imagine Dragons, Omar Apollo, and Alan Walker. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. Applause is for Anthony Parnther now taking center stage here at Carnegie Hall, and beginning this concert by the Gateways Music Festival Orchestra with this work by Brahms, his variations on, Music of Johannes Brahms begins this concert by the Gateways Music Festival Orchestra in their Carnegie Hall debut. I'm sure she wouldn't mind me telling her age. Brahms: Haydn Variations George Walker: Sinfonia No. It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from, . The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. George Walker composed it in 2003. . Does that resonate with you? Gateway Festival Orchestra BRINGING FREE CONCERTS TO THE ST. LOUIS COMMUNITY SINCE 1964 Announcing our 2023 season Save the dates. Buy Tickets HEAR THE POSSIBILITIES $ Your generous gift makes world-class music at the DSO possible, fueling the community connections, life-changing education and captivating programming that impacts more than 500,000 people a year! Jeff: Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing young professionals from across the country together with established musicians from leading orchestras to perform and inspire communities through the power of music. Best known popularly in the world these days is the music director for. There are parts that are written out, and then, there are parts that he will improvise. Yes. The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. John: We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. The most recent Gateways Music Festival took place in April 2022 in both Rochester and New York City and featured seven days of performances, panel discussions, lectures, film showings and more before a live audience of nearly 7,000 and a live radio audience of more than 100,000. I'll share it with you now. We exist outside of space, time or this place." Apr 21 2022. 3. It is his heart. All Gateways Music Festival performances are free and open to the public. Anthony: I'm from the South, and I'm from the Baptist Church tradition, and Lift every voice and sing is sacred to my community. This is a guy, Jeff, who is having a moment. The Gateways Music Festival is getting ready for its Carnegie Hall debut. It opens up all these realms of possibility. Not heard in this place until just now by the Gateways Music Festival Orchestra. For the first time, the Rochester based Gateways Music Festival orchestra got to perform at the famed concert hall in New York City Gateways was created nearly 30 years ago to support classical. I believe she's 84-85 years old. CARNEGIE HALL PRESENTS National Youth Orchestra of the United States of . I wonder if in working with them now if any vision has occurred to you? Aug 3 2019. The Walker in its own way is a set of variations as well. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. George Walker composed it in 2003. You'll receive the most up-to-date information about our musicians, venues and performances delivered right to your email inbox. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. *General admission. 3 James V. Cockerham: Fantasia on Lift Every Voice and Sing. is sacred to my community. We have made 400 complimentary tickets available, and you can reserve yours at the link below with promo code RACF50. Jeff: Now, you, as a very busy conductor on sound stages in Hollywood, are accustomed to looking at a score and getting the musicians all organized and playing it. The orchestra comes together and you just dig into the music. During April 2022 Festival, the Gateways Orchestra became the first all-Black classical symphony orchestra ever presented by New York City's Carnegie . Now, all the orchestra on its feet and with Maestro Parnther bow to this Carnegie audience this afternoon. See locations and times below. We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. The panel discussion is free and open to the public, but tickets are required. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. She thought, "If a five-year-old kid sees the Gateways orchestra up there and that kid will say, You know what, I can play hip hop. Because of limited seating capacity in the Rose Auditorium, we urge you to get your tickets as soon as possible. I thought you were going to say George Gershwin because what strikes me is the similarity to the, -did not have fully finished at the time of the world premiere, and famously in the written score for the conductor, wrote the words, "Wait for a nod.". with high distinction from the Eastman School of Music and M.M. That's an unfair question. I'll share it with you now. We principally had one and a half days to piece this work together. 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